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Sami Latif

Musical Compositions for Visual Media

Sound Design | Foley Artistry

This is a short compilation of some of my sound design projects. I do not own any of the visual material used throughout this video with exception to the interactive game, It is used here without the author’s permission, and solely as an academic exercise.
This is a short compilation of some of my musical compositions and sound design projects. I do not own any of the visual material used throughout this video, It is used here without the author’s permission, and solely as an academic, non-profit exercise.

About the Artist

Sami Latif

Sami Latif received ABRSM accredited classical training from an early age, leading to performing at well-acclaimed, life altering projects such as the 2012 London Olympic Opening Ceremony, Sir Simon Rattle’s Royal Festival Halls concert for the BBC in 2016, and a European tour as leader of the first violins with the Bexley Youth Orchestra. Driven and inspired to pursue educational opportunities such as a 1st class honours Music BA degree and a Music and Sound for Film and Games Master of Science degree, Latif has gained over a decade of field research within various composing ensembles across London. Allowing these academic findings and experiences to continue to collect a vast spectrum of knowledge and skills, fructifying a versatile and well-balanced media composer.

Sound design

The subtle line between technical and creative. Sound design projects provide an aural exemplification of the visual components to a scene. This allows me to create the element of viewer immersion to the highest effect.

Foley

In addition to sound design, foley projects offer a magnified focus on the everyday sounds heard within a scene. By lessoning the aural aperture, my application of foley art predominates the most important visual aspects.

Composition

Each compositional process derives from the core nature of the current theme I’m write for, leaving no two project remotely similar. Sound quality, viewer engagement and authenticity are three of the most paramount controlled variables here.

Production

Production ultimately centres every assignment as an independent artist. With years of education and experience working within various industry standard and mobile studios, I accordingly deliver every project to the finest quality possible.

Music for Video Games

This is an edited version of the video game Far Cry 3 by Ubisoft Montreal. It is here used without permission, solely as an academic exercise in which the original soundtrack has been replaced by my own composition.
This is an edited version of the video game Far Cry 3 by Ubisoft Montreal. It is here used without permission, solely as an academic exercise in which the original soundtrack has been replaced by my own composition.
This is an edited version of the video game Far Cry 3 by Ubisoft Montreal. It is here used without permission, solely as an academic exercise in which the original soundtrack has been replaced by my own composition.
This is an edited version of the video game Far Cry 3 by Ubisoft Montreal. It is here used without permission, solely as an academic exercise in which the original soundtrack has been replaced by my own composition.
This is an edited version of the video game Far Cry 3 by Ubisoft Montreal. It is here used without permission, solely as an academic exercise in which the original soundtrack has been replaced by my own composition.

Music for Documentaries

This video was created as part of an undergraduate level three musical composition, it is intended for educational purposes only. This video compiles a collection of individual clips to create a narrative, I do not claim to own any visual content used throughout this video.

Music for T.V and Film

This is an edited version of STUCK by Ali Doruk Zengin. It is here used with the author’s permission, solely as an academic exercise in which the original soundtrack has been replaced by my own composition.
This is an excerpt of “No Country for Old Men”by Joel and Ethan Coen. It is here used without the author’s permission, solely as an academic exercise in which music has been added to the original soundtrack.
This is an excerpt of “Black Mirror”by Charlie Brooker, Konnie Hug, Rashida Jones, Jesse Armstrong, Michael Schur and William Bridges. It is here used without the author’s permission, solely as an academic exercise in which music has been added to the original soundtrack.
This musical composition and sound design were created as part of a postgraduate musical composition, it is intended for educational purposes only. I do not claim to own any visual content used throughout this video, originally created by Zach Ramelan.

Sound Design for Animation

This is a rescored version of Chirality, a student short film created at the University of Hertfordshire.See original version and full credits here: https://www.youtube.com/watch?v=k_dg8rPpe2c

This is an edited version of the Dirty Bomb video game trailer by Splash Damage. It is used here with permission solely as an academic exercise in which the original soundtrack has been replaced by my own composition.

 

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